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Others argue, however, that the sudden lip syncing was initiated also, partly, to hide her natural voice when singing live.
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She became more breathy while singing and was no longer performing as well due to the amount of dancing she was doing on stage. Many people attribute her lip syncing to the increase in dancing that her performances included in the early 2000s. Performances like her 2007 VMA “Gimme More” have received bad reviews from both critics and fans, and her Vegas show “Piece of Me” has been the subject of bad reviews as well for Spears’ lip syncing.įor an artist that shined at a young age for her voice to suddenly begin lip syncing early on in her career is a curious matter. In later years, though, there is one major factor that has stood out in her performances: her lip syncing. Spears has been known for her live performances from day one: intricate, detailed and – in many cases – highly controversial, she has catapulted herself to the top in the performance business. Though this voice heavily contributed to Spears’ success as a pop artist, has it contributed to her downfalls as well? It’s the voice that made her into a pop sensation. It’s the voice that gave her the “pop” sound that attracted millions of listeners and fans from across the world. It was this voice that gave her a more girly appearance, a less mature sound.
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Rami Yacoub, who co-produced “…Baby One More Time” with Max Martin, has also said that there was “kind of a nasal thing” when producing songs with Martin (Bronson). On this debut album, Spears worked with Eric Foster White, who has been cited to say that he worked on “ her voice over the course of a month to where it is today,” (Hughes). Focusing less on projection and “singing in the chest,” the music sung by these artists included higher, fluttering-like pitches (Mariah Carey), girlish-sounding voices (The Spice Girls) and a softer, more conversational feel (Destiny’s Child).Īn example of this fun and feminine sound can be found in the 1996 Spice Girls’ hit “Wannabe.” Sexy and feminine (just like the artists themselves), their voices captured the essence of being a woman. One common trait shared among these female artists was their voices. Their outfits and song topics weren’t the only things they had in common though.
Britney spears voice change full#
Young, full of life and incredibly girly – clad in tight mini skirts and halter tops with a small braid adorning their straightened hair – they sang about the love and loss of a certain man. Female artists such as Mariah Carey, The Spice Girls and Destiny’s Child were the epitome of women in pop during the late 90s. Conforming to the industry and pop standards, Spears has used her “baby voice” for the entirety of her 20 year career that has, in turn, been impacted both positively and negatively because of it.Īt the turn of the century, pop music had an enlightening energy that appealed to teen audiences worldwide for its carefree sound and seemingly cookie-cutter artists. Evidence from performances spanning over the period of a decade shows that she has, in fact, been intentionally singing with a different voice and has even struggled to do so while singing live. Since signing with Jive Records in 1997, Britney Spears has been singing with a so-called “baby voice,” a nasal-sounding, feminine voice that differs drastically from her natural voice.
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But is her iconic sound her natural singing voice? Emerging on the pop scene in the late 90s, Spears was both feminine and hot – two things reflected in her nasally, girly singing voice, dubbed the “baby voice” by fans. Britney Spears has many qualities that have defined her career and herself as an artist since she first appeared in the spotlight in 1999 with the release of her hit single “…Baby One More Time.” Among these different traits, one has stood out above the rest: the sound of her voice.